Men’s and women’s musical spheres [critical writing]

As Jennifer Post points out in her article, “Erasing the Boundaries between Public and Private in Women’s Performance Traditions,” historically, cultures have tended to separated music making into “men’s” and “women’s” spheres. Summarize how these two spheres differ–what associations do we have with each? How are they oppositional, and how do they overlap?

Due:
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