{"id":251,"date":"2013-07-30T01:52:21","date_gmt":"2013-07-30T01:52:21","guid":{"rendered":"http:\/\/localhost\/wordpress\/?p=251"},"modified":"2013-07-30T01:52:21","modified_gmt":"2013-07-30T01:52:21","slug":"121-cross-cultural-perspectives","status":"publish","type":"post","link":"http:\/\/mugn.leahbranstetter.com\/?p=251","title":{"rendered":"1\/21 Cross-Cultural Perspectives"},"content":{"rendered":"

Cross-Cultural Perspectives – Can a woman beat the drums?<\/strong><\/p>\n

Reading<\/strong>:
\nExcerpts packet on Blackboard
\n[Taken from: Ovaborhene I. Idamoyibo, \u201cLet a Woman Beat the Drums: Gender Concepts in African Musical Practice,\u201d African Musicology Online 2, no. 1 (2008), pp. 19\u201324; Amanda Villepastour, \u201cAmelia Pedroso: The Voice of a Cuban Priestess Leading from the Inside\u201d in Women Singers in Global Context, ed. Hellier, pp. 58-59; Sylvia A. Nannyonga-Tamusuza, Baakisimba: Gender in the Music and Dance of the Baganda People of Uganda, pp. 1 & 33\u201336; Elizabeth Sayre, \u201cCuban Bat\u00e1 Drumming and Women Musicians: An Open Question,\u201d Center for Black Music Research Digest 13, no. 1 (2000).]<\/p>\n

Listening\/viewing<\/strong>:
\nEmilio Barreto and Amelia Pedroso, \u201c”Yemay\u00e1 Reso”
\n(http:\/\/www.music.ucsb.edu\/projects\/womensingers\/chapter2_Pedroso.shtml<\/a>)
\nAra, \u201cYanke\u201d: https:\/\/www.youtube.com\/watch?v=MfG0P0Uh8oE<\/a><\/p>\n

Tasks<\/strong>:
\n